National Repository of Grey Literature 4 records found  Search took 0.01 seconds. 
Contemporary Practice of Independent Auteur Animation through Oral History of Female Authors Working in New York and Prague
Děcká, Eliška ; BENDOVÁ, Helena (advisor) ; Gregor, Lukáš (referee)
This thesis analyzes contemporary practise of independent auteur animation in NY and Prague through oral history of female animators working in those two geographical areas
Studies and a career of Czech animator in terms of market economy
Kotlářová, Hana ; BUBENÍČEK, Jan (advisor) ; PAVLÁTOVÁ, Michaela (referee)
"Studies and a career of Czech animator in terms of market economy" answers all basic, practical questions that Czech animation student asks about his future career. It is an information link between school and practice. It delivers facts about current situation on Czech animation scene and presents practical skills which are necessary for setting up an animation career. The goal of a writer was to deliver undistorted information which might be surprisingly realistic or skeptic. Understanding these facts is fundamental, because readers should come up with their own solutions for their future jobs in animation. A broad topic contains information about film or artistic animation, commercial and comissioned jobs, internet animation, basics about animation studios, animation industry and economic aspects of a freelance work. It summaries a purpose of animation schools, including 10 commandments of a student aimed on practical skills to gain during studies.
Erotica in a puppet animated film
Žák, Vojtěch ; DĚCKÁ, Eliška (advisor) ; Vaněček, Matěj (referee)
Eroticism and pornography in animated puppet film is a niche genre. Nevertheless, it deserves attention for its unique means of expression. The subject matter of this thesis is a reflection on the relationship between corporeality and the puppet in film. It also includes selected auteur independent films and their analysis, in which sexual behavior is the prevalent topic or which contain explicit erotic scenes. The puppet functions as a representation of human body; specifically, within the context of this thesis, of the body in erotic situations. The body of the puppet becomes a representation of our own body. With the emergence of new technologies, we can become a representation of the puppet, which in turn becomes a puppeteer, an animator. The principle of identification with the main protagonist is essential for interpretation of the role and function of the puppet in film. One of the key instruments of interpretation of the role of the puppet in film and understanding its function in film. The chosen theme is accompanied by definitions of key terms and a brief overview of legislation concerning pornographic animated film.
Puppet Animator
Mrázová, Martina ; KLOS, Jan (advisor) ; Žabka, Michal (referee)
This master thesis deals with the problematic position of the Czech puppet animator. Based on interviews with two puppet animators, representing the current puppet animation and the last century Golden era, I am trying to figure out how the puppet animator worked in the last century and how he works today. For the current generation I draw from the experience of puppet animator Jan Štencl. For the past generation I draw from the experience of Mr. Jan Klos. I'm trying to clarify what puppet animator has had to know and if these kind of skills varies according to the period in which the animator works/worked. Furthermore, this theoretical work deals with the problems that animators are facing today and how to puppet animators respond to the expansion of 3D technology. In conclusion, I outline the various solutions to the current situation.

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